By Louise Irvine
One of the stars of our new Dive into WMODA exhibit is the British potter, Roger Cockram. Recently he made two ceramic sculptures especially for Arthur Wiener and sent us a visual story of his creative process. Many years ago, Arthur visited Roger’s studio and gallery in the North Devon village of Chittlehampton in England and he became a huge fan of Roger’s ceramic art inspired by marine life.
The elements of earth, air, fire, and water are harnessed by Roger Cockram for his striking ceramic art. Roger was a marine biologist before becoming a potter and his ideas spring from observations that he makes of the sea. He is particularly interested in the movement and power of water and its influence on the lifeforms in and around it. He mainly works with porcelain and stoneware clays sponged with layers of slips, which he incises, models and paints. His high-temperature reduction firing process is very dramatic with flames leaping around the pots as he attempts to “steer” the forces of nature rather than control them. In his words, “my work is not intended as a piece of natural history – but rather that the observation may be caught, resolved and be used to make a piece of ceramics successful in its own terms.” Roger Cockram has practiced as a potter in Chittlehampton in North Devon, England for over 40 years and his work is exhibited internationally.
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Roger Cockram, In His Element
Making of Fish Shoal Wall Dome
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Roger begins by throwing clay on a potter's wheel
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Roger working on the potter's wheel
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Roger working on the potter's wheel
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Roger working on the potter's wheel
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Dome is created
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The dome is dried to leather hard
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Fish are created, negative areas are cut away, and color added
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Once completely dry the piece is placed into the kiln to be fired
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The completed Fish Shoal Wall Dome
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Fish Shoal Wall Dome detail
Making of Fish Shoal Wave Vessel
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Slabs of clay are rolled out
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Pins are laid out to create the wave form
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Pins are prepared
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Clay is laid over the pins to form the wave pattern
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The two sides of the vessel are put together
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Fish are created and negative spaces removed
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Painting the piece
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One side of the Fish Shoal Wave Vessel
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Second side of the Fish Shoal Wave Vessel
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Fish Shoal Wave Vessel detail
Roger Cockram Studio & Gallery
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Roger Cockram’s Chittlehampton Pottery & Gallery
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Roger Cockram checking the kiln firing which reaches temperatures of 1300 degrees centigrade in a reducing atmosphere when the kiln is slightly starved of oxygen. It is a dramatic time with flames emerging from every crack in the structure.